Postmontaje narrativo, una hoja de ruta para generar videos interactivos
Date
2019-02-05
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Pontificia Universidad Católica del Perú
Abstract
La presente investigación tiene como propósito determinar los parámetros estéticos y las
diversas estructuras narrativas que pueden constituir un video interactivo. Sobre la base
de esta investigación, proponemos la categoría de postmontaje narrativo, una noción
teórica y filosófica que permite el abordaje y entendimiento de la anatomía y modos que
componen este formato. Asimismo, planteamos la elaboración de una hoja de ruta
como herramienta práctica para la creación de un guion de estructura ramificada. De
esta manera, comprendemos al video interactivo como secuencias interrumpidas y
fragmentadas, diseñadas para ser intervenidas y montadas posteriormente por el
espectador, encargado de reconstruir el sentido último que tomará la narración y, por
ende, la historia, lo que lo convierte en responsable de su propia experiencia
audiovisual. Hecho que debe ser previsto y diseñado desde el guion de postmontaje.
The purpose of this research is to determine the aesthetic parameters and the different narrative structures that can constitute an interactive video. On this basis we propose the category of narrative postmontage, a theoretical and philosophical notion that allows the approach and understanding of the anatomy and modes that make up this format. And, also,we propose a road map as a practical tool for the creation of a branched structure script. In this way, we understand the interactive video as interrupted and fragmented sequences, designed to be intervened and mounted later by the spectator, in charge of reconstructing the final meaning that the narration will take and, therefore, the story, which makes it responsible for its own audiovisual experience. Fact that must be planned and designed from the writing of a postmontage literary script.
The purpose of this research is to determine the aesthetic parameters and the different narrative structures that can constitute an interactive video. On this basis we propose the category of narrative postmontage, a theoretical and philosophical notion that allows the approach and understanding of the anatomy and modes that make up this format. And, also,we propose a road map as a practical tool for the creation of a branched structure script. In this way, we understand the interactive video as interrupted and fragmented sequences, designed to be intervened and mounted later by the spectator, in charge of reconstructing the final meaning that the narration will take and, therefore, the story, which makes it responsible for its own audiovisual experience. Fact that must be planned and designed from the writing of a postmontage literary script.
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Keywords
Video interactivo--Producción y dirección, Guiones cinematográficos, Narración--Medios audiovisuales
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