Construcción de la tradición en el norte del Perú: “Lo Moche” como performance y gobermentalidad
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2017-10-19
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Pontificia Universidad Católica del Perú
Abstract
La presente tesis explora cómo desde finales de la década de 1980 se vinieron
produciendo en la Región Lambayeque procesos culturales y económicos con directo
impacto en el sistema de diferencias racial, étnico y regional que operaba hasta ese momento. Estos procesos estan íntimamente ligados al así llamado ‘boom arqueológico’ y a la modernización de la industria turística regida con principios neoliberales. Para explorar estos procesos, este trabajo examina etnográficamente tres espacios ideológicos: la ruta turística, el museo, y la performance escénica. Las conclusiones proponen nuevas formas de entender nociones clásicas de las ciencias sociales como la invención de la tradición y la organización de grupos étnicos, bajo un nuevo régimen económico y cultural como el Neoliberalismo.
This thesis explores how since the late 1980s cultural and economic processes took place at the Lambayeque Region, with direct impact on the racial, ethnic and regional system of differences operating so far. These processes are closely linked to the so-called ‘archaeological boom’ and to the modernization of the tourism industry under neoliberal principles. To exploring these processes, this work ethnographically examines three ideological spaces: the touristic route, the museum, and the scenic performance. The conclusions suggest new ways to understanding classic notions of social sciences such as the invention of tradition and the organization of ethnic groups, under such a new economic and cultural regime as the Neoliberalism.
This thesis explores how since the late 1980s cultural and economic processes took place at the Lambayeque Region, with direct impact on the racial, ethnic and regional system of differences operating so far. These processes are closely linked to the so-called ‘archaeological boom’ and to the modernization of the tourism industry under neoliberal principles. To exploring these processes, this work ethnographically examines three ideological spaces: the touristic route, the museum, and the scenic performance. The conclusions suggest new ways to understanding classic notions of social sciences such as the invention of tradition and the organization of ethnic groups, under such a new economic and cultural regime as the Neoliberalism.
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Keywords
Identidad cultural--Perú--Lambayeque, Etnicidad--Perú--Lambayeque, Turismo--Aspectos socioeconómicos--Perú--Lambayeque, Museos--Aspectos sociales--Perú--Lambayeque, Neoliberalismo--Aspectos sociales--Perú
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Except where otherwised noted, this item's license is described as info:eu-repo/semantics/openAccess