Herramientas metodológicas para buscar el movimiento personal a través de experimentar con: el festejo, zapateo afroperuano y la danza contemporánea
Date
2021-10-25
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Pontificia Universidad Católica del Perú
Abstract
Los discursos y propuestas de movimiento en la danza cada vez son más diversos e
innovadores, debido a que los bailarines integran y experimentan continuamente con distintos
lenguajes de movimiento. Esto nos lleva a cuestionar el porqué de esta tendencia y, por ello,
se puede intuir que es por la necesidad de diferenciarse un bailarín de otro. En este sentido, la
presente investigación comparte las herramientas metodológicas que surgieron durante el
proceso de investigación con la perspectiva de encontrar el discurso personal de movimiento,
a través de explorar con los conceptos de “diálogo”, “fusión”, “hibridación” y
“deconstrucción”. Dado que la búsqueda gira entorno al propio discurso, se decide
experimentar estos conceptos desde la experiencia y el conocimiento personal que se tiene
del festejo, el zapateo afroperuano y la danza contemporánea. Los resultados que se plantean
en esta tesis se basan en un laboratorio de investigación desde la práctica donde se interioriza
con los diferentes lenguajes, se analizan y, sobre todo, se busca salir de la zona de confort
para llegar a un espacio sensible que permita reconocer el movimiento personal. Aunado a lo
anterior, y con fines de poner los hallazgos en cuestionamiento constante, se comparte la
exploración con un observador externo, y se socializa la información en dos tipos de
laboratorios: uno abierto para conocer la perspectiva de lo que observan estudiantes de danza
externas a la investigación, y el otro cerrado con el objetivo de compartir la metodología y
que sea explorado específicamente por bailarinas que integran diversos lenguajes de
movimiento en sus cuerpos.
Discourses and proposals for movement in dance are increasingly diverse and innovative, due to the fact that dancers continuously integrate and experiment with different languages of movement. This leads us to question the reason for this trend and, therefore, it can be sensed that it is due to the need to differentiate one dancer from another. In this sense, the present research shares the methodological tools that emerged during the research process with the perspective of finding the personal discourse of movement, through exploring with the concepts of "dialogue", "fusion", "hybridization" and " deconstruction". Given that the search revolves around the discourse itself, it is decided to experience these concepts from the experience and personal knowledge that one has of the festejo, the Afro-Peruvian zapateo and contemporary dance. The results that are raised in this thesis are based on a research laboratory from practice where the different languages are internalized, analyzed and, above all, they seek to leave the comfort zone to reach a sensitive space that allows to recognize personal movement. In addition to the above, and in order to put the findings into constant questioning, the exploration is shared with an external observer, and the information is socialized in two types of laboratories: one open to know the perspective of what external dance students observe to research, and the other closed with the aim of sharing the methodology and being specifically explored by dancers who integrate different languages of movement in their bodies.
Discourses and proposals for movement in dance are increasingly diverse and innovative, due to the fact that dancers continuously integrate and experiment with different languages of movement. This leads us to question the reason for this trend and, therefore, it can be sensed that it is due to the need to differentiate one dancer from another. In this sense, the present research shares the methodological tools that emerged during the research process with the perspective of finding the personal discourse of movement, through exploring with the concepts of "dialogue", "fusion", "hybridization" and " deconstruction". Given that the search revolves around the discourse itself, it is decided to experience these concepts from the experience and personal knowledge that one has of the festejo, the Afro-Peruvian zapateo and contemporary dance. The results that are raised in this thesis are based on a research laboratory from practice where the different languages are internalized, analyzed and, above all, they seek to leave the comfort zone to reach a sensitive space that allows to recognize personal movement. In addition to the above, and in order to put the findings into constant questioning, the exploration is shared with an external observer, and the information is socialized in two types of laboratories: one open to know the perspective of what external dance students observe to research, and the other closed with the aim of sharing the methodology and being specifically explored by dancers who integrate different languages of movement in their bodies.
Description
Keywords
Lenguaje corporal, Danza moderna, Danzas folklóricas--Perú
Citation
Collections
Endorsement
Review
Supplemented By
Referenced By
Creative Commons license
Except where otherwised noted, this item's license is described as info:eu-repo/semantics/openAccess