La construcción de la subjetividad del ser humano bajo la mirada y la presencia de los otros: develando los fragmentos del otro en uno mismo
Date
2022-07-13
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Pontificia Universidad Católica del Perú
Abstract
La mirada subjetiva que tenemos va transformándose a lo largo del tiempo
porque uno al vivenciar nuevas experiencias, adquiere nuevo conocimiento y
este nos hace ver el mundo de manera distinta. Esa mirada subjetiva se va
construyendo a través del encuentro con la visión de otros individuos, las
influencias de los demás siempre están presentes, aunque uno no siempre las
reconozca. A partir de esta reflexión, me propongo investigar de qué manera
construimos nuestra subjetividad a lo largo de nuestra vida y qué rol juegan las
otras personas en la formación de esta. Para el desarrollo de la investigación me
apoyo en el vínculo entre la creación artística y la constitución de la subjetividad,
siendo la primera una práctica en la cual la persona, a través de su percepción,
construye y comunica una postura, y quién se aproxima a lo creado, genera una
interpretación personal de la obra. Entiendo que, durante la creación de piezas
artísticas, me apoyo en la referencia de otros, transformo lo que ellos han
postulado con mi mirada subjetiva y creo mi propia versión. Es así que reflexiono
en torno a tres elementos que son presentados a través exploraciones en papel,
dibujo y escritura. El movimiento como la posibilidad de modificar
constantemente nuestra manera de ver el mundo en relación a la experiencia, el
público observador como elemento subjetivo que genera múltiples
interpretaciones de la realidad y los fragmentos del otro como la autoría
compartida en tanto el sujeto conformado por las ideas de otros individuos.
The subjective gaze that we have is changing over time because when living new experiences, one acquires new knowledge and this makes us see the world in a different way. That subjective gaze is built through the encounter with the vision of other individuals, the influences of others are always present, although one does not always recognize them. From this reflection, I intend to investigate how we build our subjectivity throughout our lives and what role do other people play in its shaping. For the development of the research, I rely on the connection between artistic creation and the constitution of subjectivity, the first being a practice in which the person, through their perception, builds and communicates a posture, and who approaches what is created, generates a personal interpretation of the work. I understand that, during the creation of artistic pieces, I rely on the reference of others, I transform what they have postulated with my subjective gaze and I create my own version. Thus, I reflect on three elements that are presented through explorations on paper, drawing and writing. Movement as the possibility of constantly changing our way of seeing the world in relation to experience, the observing public as a subjective element that generates multiple interpretations of reality and the fragments of the other as shared authorship, understanding that every person is conformed by the ideas of other individuals.
The subjective gaze that we have is changing over time because when living new experiences, one acquires new knowledge and this makes us see the world in a different way. That subjective gaze is built through the encounter with the vision of other individuals, the influences of others are always present, although one does not always recognize them. From this reflection, I intend to investigate how we build our subjectivity throughout our lives and what role do other people play in its shaping. For the development of the research, I rely on the connection between artistic creation and the constitution of subjectivity, the first being a practice in which the person, through their perception, builds and communicates a posture, and who approaches what is created, generates a personal interpretation of the work. I understand that, during the creation of artistic pieces, I rely on the reference of others, I transform what they have postulated with my subjective gaze and I create my own version. Thus, I reflect on three elements that are presented through explorations on paper, drawing and writing. Movement as the possibility of constantly changing our way of seeing the world in relation to experience, the observing public as a subjective element that generates multiple interpretations of reality and the fragments of the other as shared authorship, understanding that every person is conformed by the ideas of other individuals.
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Constructivismo, Subjetividad, Arte y sociedad, Creación (Literaria, artística, etc.)
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