La percepción de lo tradicional y lo no tradicional en las músicas con bandurria de Cusco
Date
2023-06-19
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Pontificia Universidad Católica del Perú
Abstract
En el panorama musical andino existen músicas que son llamadas tradicionales y otras no
tradicionales. Sin embargo, los límites con los que estos términos son definidos no son
totalmente claros. La presente investigación busca reflexionar sobre cómo se entiende lo
tradicional y lo no tradicional desde una perspectiva pragmática. Por un lado, se indaga en cómo
perciben lo tradicional y lo no tradicional los intérpretes de bandurria cusqueña de San Pablo en
las músicas con este instrumento musical. Y, por otro lado, se pretende encontrar qué elementos
son percibidos como tradicionales y no tradicionales por los encuestados. Es así que se utilizan
diferentes instrumentos como el cuaderno de campo, las entrevistas a profundidad y las encuestas
a profundidad. A partir de la recolección de datos y el análisis de los resultados, se concluye que
no se puede conceptualizar lo tradicional como un ente estático, sino que la idea de lo tradicional
va cambiando con el tiempo. Asimismo, cada individuo delimita lo tradicional y lo no tradicional
desde su experiencia personal de manera subjetiva, por ello, un fragmento musical puede ser
catalogado como tradicional por algunos y no tradicional por otros. También se encuentra que,
durante el proceso de percepción, los sujetos toman en cuenta una serie de elementos para
catalogar las músicas entre lo tradicional y no tradicional siendo unos más relevantes que otros.
In the Andean music scene there are musics that are called traditional and others called nontraditional, however, the limits with which these terms are defined are not totally clear. For this reason, this research seeks to reflect on how the traditional and the non-traditional are understood from a pragmatic perspective. That is why it is studied how the traditional and the non-traditional is perceived by the musicians who plays bandurria from San Pablo in the music with this musical instrument. Likewise, it seeks to find out which elements are perceived as traditional and nontraditional through the laboratory participants. Instruments such as the field notebook, in-depth interviews and in-depth surveys are used in this research. It is concluded, through the analysis of the results of the in-depth survey, that the idea of traditional cannot be conceptualized as a static entity, but that the idea of the traditional changes over time; also, that each individual subjectively defines traditional and non-traditional from their personal experience, that is why a musical fragment can be classified as traditional by some and non-traditional by others. It is also found that, during the perception process, the subjects evaluate a series of elements to classify the music between traditional and non-traditional, some being more relevant than others.
In the Andean music scene there are musics that are called traditional and others called nontraditional, however, the limits with which these terms are defined are not totally clear. For this reason, this research seeks to reflect on how the traditional and the non-traditional are understood from a pragmatic perspective. That is why it is studied how the traditional and the non-traditional is perceived by the musicians who plays bandurria from San Pablo in the music with this musical instrument. Likewise, it seeks to find out which elements are perceived as traditional and nontraditional through the laboratory participants. Instruments such as the field notebook, in-depth interviews and in-depth surveys are used in this research. It is concluded, through the analysis of the results of the in-depth survey, that the idea of traditional cannot be conceptualized as a static entity, but that the idea of the traditional changes over time; also, that each individual subjectively defines traditional and non-traditional from their personal experience, that is why a musical fragment can be classified as traditional by some and non-traditional by others. It is also found that, during the perception process, the subjects evaluate a series of elements to classify the music between traditional and non-traditional, some being more relevant than others.
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Keywords
Música folklórica--Investigaciones, Música--Perú--Cuzco, Instrumentos musicales--Perú--Cuzco, Percepción musical
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