Hacia un teatro musical peruano: el proceso creativo del musical Agua
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Date
2020-08-28
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Pontificia Universidad Católica del Perú
Abstract
Esta tesis explica cómo se ha venido desarrollando el teatro musical en nuestro
país y si en ello podríamos hablar ya de un teatro musical propiamente peruano.
El trabajo se apoya en entrevistas realizadas con los principales precursores de
este espectáculo escénico en nuestro país y en consultas a artículos y revistas
académicas. En el primer capítulo definimos el concepto de teatro musical: qué es
el teatro musical y cómo fue que adquirió una forma única y reconocible. En el
segundo capítulo describimos cómo este llegó al país y se fue desarrollando hasta
la actualidad, este capítulo apoya su desarrollo exclusivamente en entrevistas
hechas. En el tercer y último capítulo hicimos una documentación del proceso
creativo del musical “Agua”, del cual soy el compositor, con la finalidad de
demostrar cómo es que se crea un teatro musical propiamente peruano y qué
elementos entran en juego a la hora de su composición.
This thesis explains how musical theater has been developing in our country and whether we could already speak of a truly Peruvian musical theater. The work is supported by interviews carried out with the main precursors of this stage show in our country and by consulting articles and academic magazines. In the first chapter we defined the concept of musical theater: what is musical theater and how did it acquire a unique and recognizable form. In the second chapter we describe how this came to the country and has been developed to the present day, this chapter supports its development exclusively in interviews. In the third and last chapter we made a documentation of the creative process of the musical "Agua", of which I am the composer, with the purpose of demonstrating how it is that a properly Peruvian musical theater is created and what elements come into play at the time of his composition.
This thesis explains how musical theater has been developing in our country and whether we could already speak of a truly Peruvian musical theater. The work is supported by interviews carried out with the main precursors of this stage show in our country and by consulting articles and academic magazines. In the first chapter we defined the concept of musical theater: what is musical theater and how did it acquire a unique and recognizable form. In the second chapter we describe how this came to the country and has been developed to the present day, this chapter supports its development exclusively in interviews. In the third and last chapter we made a documentation of the creative process of the musical "Agua", of which I am the composer, with the purpose of demonstrating how it is that a properly Peruvian musical theater is created and what elements come into play at the time of his composition.
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Keywords
Musicales--Historia y crítica, Teatro musical--Perú, Teatro peruano--Estudio y crítica
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