Música queer: identidad y resistencia en un laboratorio de composición colectiva
Date
2023-11-21
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Pontificia Universidad Católica del Perú
Abstract
La presente tesis parte del planteamiento de que dentro de lo queer los conceptos de identidad
y resistencia se encuentran profundamente arraigados y, por lo tanto, propone que la música
de este movimiento, es decir, la música queer, se compone de ciertos elementos musicales
referentes a estos conceptos que la caracterizan. Por ello, teniendo en cuenta la naturaleza
colectiva del movimiento queer, el objetivo general de la investigación es determinar cómo se
presentan dichos elementos durante un proceso creativo de una composición colectiva
protagonizado por artistas queer de la escena limeña, el cual se llevó a cabo a través de un
laboratorio composicional con tres artistas invitades. Los principales métodos de
investigación que se utilizaron durante el trabajo fueron el análisis, de videoclips de
canciones representativas de la música queer latinoamericana, y la observación y posterior
análisis del laboratorio de composición colectiva. De esta manera, una de las principales
conclusiones alcanzadas, y quizás la más destacada, es el establecimiento del elemento
proceso como elemento característico de la música queer analizada. Este elemento hace
referencia al uso de los propios y distintos procesos atravesados por les artistas como semilla
creativa de sus canciones, cuestión ante la cual giran alrededor todos los otros elementos
empleados en la composición musical.
The current dissertation comes from the proposal that inside the queer the concepts of identity and resistance are profoundly ingrained and, so for, appeals that the music of this movement, ergo, queer music, composes itself of certain music elements concerning these concepts that characterize it. Thus, taking into account the collective nature of the queer movement, the general goal of this research is to determine how said elements present during the creative process of the collective composition protagonized by queer artists of the limenian scene, that was carried out through a compositional laboratory with three invited artists. The principal research methods that were used during this work were analysis, of representative songs of queer Latin-American music videoclips, and observation and later analysis of the collective composition laboratory. Therefore, one of the main reached conclusions, and maybe the most prominent, is the establishment of the process element as a characteristic element of the analyzed queer music. This element concerns the use of the artist's different processes they have gone through as the creative seed of their songs, an issue to which the rest of the used elements in the music composition are attached.
The current dissertation comes from the proposal that inside the queer the concepts of identity and resistance are profoundly ingrained and, so for, appeals that the music of this movement, ergo, queer music, composes itself of certain music elements concerning these concepts that characterize it. Thus, taking into account the collective nature of the queer movement, the general goal of this research is to determine how said elements present during the creative process of the collective composition protagonized by queer artists of the limenian scene, that was carried out through a compositional laboratory with three invited artists. The principal research methods that were used during this work were analysis, of representative songs of queer Latin-American music videoclips, and observation and later analysis of the collective composition laboratory. Therefore, one of the main reached conclusions, and maybe the most prominent, is the establishment of the process element as a characteristic element of the analyzed queer music. This element concerns the use of the artist's different processes they have gone through as the creative seed of their songs, an issue to which the rest of the used elements in the music composition are attached.
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Keywords
Composición musical, Identidad, Resistencia, Homosexualidad--Música, Teoría queer
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