El uso de plugins crackeados en la DAW(DigitalAudioWorkstation) como recurso de enseñanza en el curso de producción musical de la Escuela de Música de la FARES
Date
2024-08-09
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Pontificia Universidad Católica del Perú
Abstract
En las siguientes páginas analizaremos qué tanto mal o bien se hace el ofrecer recursos
digitales como los plugins crackeados asociándolo a la piratería del software como
conjunto, buscando respuesta no solo en los principios éticos del docente que interesan a este
trabajo, sino también en otros agentes involucrados. Cómo es la relación del software
crackeado con el consumidor en general, indagando en la piratería del software como tal y el
impacto en el plano ético del docente en relación con sus estudiantes.
In the following pages we will analyze how bad or good it is to offer digital resources such as cracked plugins, associating it with software piracy as a whole, seeking answers not only in the ethical principles of the teacher that interest this work, but also in other agents. involved. How is the relationship of cracked software with theconsumer in general, inquiring into software piracy as such and the impact on the ethical level of the teacher in relation to his students.
In the following pages we will analyze how bad or good it is to offer digital resources such as cracked plugins, associating it with software piracy as a whole, seeking answers not only in the ethical principles of the teacher that interest this work, but also in other agents. involved. How is the relationship of cracked software with theconsumer in general, inquiring into software piracy as such and the impact on the ethical level of the teacher in relation to his students.
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Profesores universitarios--Ética, Piratería (Derecho de autor), Música y tecnología
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