Songwriting queer: responsabilidades éticas alrededor
Date
2023-08-31
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Pontificia Universidad Católica del Perú
Abstract
Desde el siglo pasado el movimiento artístico queer ha dado lugar a diferentes
manifestaciones artísticas, dentro de ellas la música queer ha ocupado un lugar importante y
el songwriting ha sido una de las maneras en que lxs artistas se han acercado a esta. La
escritura y composición de canciones entrega una forma de canalizar emociones, de vivir con
las experiencias afrontadas día a día por las diversas identidades disidentes. Sin embargo,
cuando la música cruza los límites de lo personal y adquiere un público, lx artista comienza
a ser responsable de aquello que el contenido de sus canciones pueda generar y cómo esto
afectará no sólo a su público, sino, en general, al movimiento al que pertenece. Con la
creciente escena queer limeña en continuo desarrollo, resulta importante comenzar a trabajar
las responsabilidades éticas de lxs artistas, para poder seguir generando y promoviendo
espacios seguros donde las disidencias puedan compartir y crear. Por lo tanto, este trabajo
busca determinar cómo lxs artistas queer, dentro del contexto artístico queer limeño, toman
responsabilidad dentro de su proceso de songwriting, busca analizar y explicar cómo plasman
las variables éticas respecto al cuestionamiento, la representación, el activismo y la conexión
dentro de su proceso de composición y escritura de canciones.
Since the last century, the queer art movement has given rise to different artistic manifestations, within queer music has occupied an important place and songwriting has been one of the ways in which artists have approached it. The writing and composition of songs provides a way of channeling emotions, of living with the experiences faced day by day by the diverse dissident identities. However, when music crosses the limits of personal space and acquires an audience, the artist begins to be responsible for what the content of their songs can generate and how this will affect not only their audience, but, in general, the movement they belong to. With the growing Lima queer scene in continuous development, it is important to start working on the ethical responsibilities of artists, in order to continue generating and promoting safe spaces where dissidents can share and create. Therefore, this work seeks to determine how queer artists, within the queer artistic context of Lima, take responsibility within their songwriting process, it seeks to analyze and explain how they reflect the ethical variables regarding questioning, representation, activism and connection within their songwriting process.
Since the last century, the queer art movement has given rise to different artistic manifestations, within queer music has occupied an important place and songwriting has been one of the ways in which artists have approached it. The writing and composition of songs provides a way of channeling emotions, of living with the experiences faced day by day by the diverse dissident identities. However, when music crosses the limits of personal space and acquires an audience, the artist begins to be responsible for what the content of their songs can generate and how this will affect not only their audience, but, in general, the movement they belong to. With the growing Lima queer scene in continuous development, it is important to start working on the ethical responsibilities of artists, in order to continue generating and promoting safe spaces where dissidents can share and create. Therefore, this work seeks to determine how queer artists, within the queer artistic context of Lima, take responsibility within their songwriting process, it seeks to analyze and explain how they reflect the ethical variables regarding questioning, representation, activism and connection within their songwriting process.
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Keywords
Composición musical, Homosexualidad y arte, Homosexualidad--Música, Teoría queer
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Except where otherwised noted, this item's license is described as info:eu-repo/semantics/openAccess