La representación de los personajes femeninos en el teatro occidental como herramienta de denuncia de las prácticas sociales machistas de la sociedad europea de finales del siglo XIX
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2023-09-01
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Pontificia Universidad Católica del Perú
Abstract
Esta investigación analiza la representación de los personajes femeninos en el teatro occidental
como herramienta de denuncia sobre las prácticas sociales machistas de la sociedad europea hacia
finales del siglo XIX. Se trata de identificar que, mediante los diálogos y vínculos de los
personajes femeninos de Henrik Ibsen, Antón Chejov y August Strindberg, autores occidentales
realistas de esa época, expusieron las desigualdades de género por parte del hombre tanto dentro
como fuera del hogar. Por ende, se establece un cuestionamiento sobre la imposibilidad de la mujer
de desarrollarse en un ámbito profesional, personal y político dentro de un sistema patriarcal; que
la obligaba a quedarse en el hogar sirviendo a su familia.
Este trabajo desarrolla inicialmente, la explicación sobre el contexto patriarcal y comportamiento
de la sociedad europea hacia la mujer de finales del siglo XIX. Posteriormente, se desarrolla la
relación de esta explicación junto con las representaciones de los personajes femeninos de los
autores realistas de esa época y luego se analiza el impacto dramático de los vínculos familiares
de las mujeres dentro del hogar. Para ello, se hizo una búsqueda de antiguas y recientes
publicaciones. Además, se tuvo en cuenta los pensamientos filosóficos de Friedrich Hegel y
Friedrich Nietzsche para abordar conceptos de arte y sociedad. Por otro lado, la autora Sue Case,
Sara Velasco, Jorge Dubatti y otros autores, han sido esenciales para este proyecto
This research analyzes the representation of female characters in Western theater as a tool for denouncing the sexist social practices of European society towards the end of the 19th century. The aim is to identify that, through the dialogues and links of the female characters of Henrik Ibsen, Antón Chejov and August Strindberg, realistic western authors of that time, they exposed gender inequalities on the part of men both inside and outside the home. Therefore, a questioning is established about the impossibility of women to develop in a professional, personal and political sphere within a patriarchal system; that forced her to stay at home serving her family. This work initially develops the explanation about the patriarchal context and behavior of European society towards women in the late nineteenth century. Subsequently, the relationship of this explanation is developed along with the representations of the female characters of the realistic authors of that time and then the dramatic impact of the family ties of women within the home is analyzed. To do this, a search was made of old and recent publications. In addition, the philosophical thoughts of Friedrich Hegel and Friedrich Nietzsche were taken into account to address concepts of art and society. On the other hand, the author Sue Case, Sara Velasco, Jorge Dubatti and other authors, have been essential for this project
This research analyzes the representation of female characters in Western theater as a tool for denouncing the sexist social practices of European society towards the end of the 19th century. The aim is to identify that, through the dialogues and links of the female characters of Henrik Ibsen, Antón Chejov and August Strindberg, realistic western authors of that time, they exposed gender inequalities on the part of men both inside and outside the home. Therefore, a questioning is established about the impossibility of women to develop in a professional, personal and political sphere within a patriarchal system; that forced her to stay at home serving her family. This work initially develops the explanation about the patriarchal context and behavior of European society towards women in the late nineteenth century. Subsequently, the relationship of this explanation is developed along with the representations of the female characters of the realistic authors of that time and then the dramatic impact of the family ties of women within the home is analyzed. To do this, a search was made of old and recent publications. In addition, the philosophical thoughts of Friedrich Hegel and Friedrich Nietzsche were taken into account to address concepts of art and society. On the other hand, the author Sue Case, Sara Velasco, Jorge Dubatti and other authors, have been essential for this project
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Feminismo, Teatro, Machismo, Europa--Historia--Siglo XIX
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