La supresión del cuerpo queer en su representación en la escena teatral limeña en los últimos diez años como silenciamiento de este grupo subalterno
Date
2021-09-17
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Pontificia Universidad Católica del Perú
Abstract
Esta investigación aborda el tema de la representación de la comunidad queer en la escena
teatral limeña durante los últimos diez años. A partir de la creciente cantidad de propuestas
artísticas que buscan representar a la comunidad LGBTIQ+, en la actualidad, ha surgido un
debate sobre la práctica de representar a grupos vulnerables sin ser parte de estos. ¿Acaso los
grupos representados lo están siendo realmente? ¿Estamos dándoles una voz en la sociedad a
estos grupos o los estamos silenciando sin ser conscientes de ello? Este es el debate que propone
esta investigación para poder pensar en buenas prácticas en el rubro artístico. Es así que se
buscará demostrar que el suprimir al cuerpo queer de su representación en la escena teatral
limeña en los últimos diez años, influye en el silenciamiento de este grupo subalterno. Para esto,
se indagará en las dinámicas de dominación a partir de los conceptos “hegemonía”, “subalterno”
y “silenciamiento”. Además, se definirá el concepto de cuerpo queer y se describirá la situación
de este en Lima. Esto, para exponer las implicancias políticas al momento de ser representado en
el teatro. Para finalizar, se comentará el caso de la obra “El arcoíris en las manos” para
complementar la teoría.
This research addresses the issue of the representation of the queer community in the Lima theater scene during the last ten years. From the growing number of artistic proposals that seek to represent the LGBTIQ + community, at present, a debate has arisen about the practice of representing vulnerable groups without being part of them. Are we giving these groups a voice in society or are we silencing them without being aware of it? This is the debate that this research proposes in order to think about good practices in the artistic field. This research will seek to demonstrate that the suppression of the queer body from its representation in the Lima theater scene in the last ten years, influences the silencing of this subaltern group. For this, the dynamics of domination will be investigated from the concepts "hegemony", "subaltern" and "silencing". In addition, the concept of the queer body will be defined and its situation in Lima will be described. This, to expose the political implications at the time of being represented in the theater. Finally, the case of the work "El arcoiris en las manos" will be discussed to complement the theory.
This research addresses the issue of the representation of the queer community in the Lima theater scene during the last ten years. From the growing number of artistic proposals that seek to represent the LGBTIQ + community, at present, a debate has arisen about the practice of representing vulnerable groups without being part of them. Are we giving these groups a voice in society or are we silencing them without being aware of it? This is the debate that this research proposes in order to think about good practices in the artistic field. This research will seek to demonstrate that the suppression of the queer body from its representation in the Lima theater scene in the last ten years, influences the silencing of this subaltern group. For this, the dynamics of domination will be investigated from the concepts "hegemony", "subaltern" and "silencing". In addition, the concept of the queer body will be defined and its situation in Lima will be described. This, to expose the political implications at the time of being represented in the theater. Finally, the case of the work "El arcoiris en las manos" will be discussed to complement the theory.
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Keywords
Homosexualidad y arte--Perú--Lima, Teatro y sociedad, Teoría queer
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