Educación musical y expresiones andinas: pensando en consolidar la identidad cultural en primaria
Date
2022-09-13
Journal Title
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Publisher
Pontificia Universidad Católica del Perú
Abstract
Este estado del arte estudia las propuestas de educación musical que incluyen el
empleo de expresiones andinas con miras a la consolidación de la identidad cultural
en la educación primaria, todo ello bajo un enfoque de educación intercultural. Se
consultaron publicaciones recientes, de los últimos veinticinco años, de Europa,
Norteamérica y Latinoamérica, enfatizando en los países andinos de Perú, Colombia,
Chile y Argentina. La primera parte desarrolla la consolidación de la identidad cultural
en la educación primaria a través de la música. Se aborda el enfoque intercultural en
la educación, así como las nociones de interculturalidad, comunicación y currículo;
construcción de identidad cultural en las escuelas, función comunicativa de la música
y música andina como herramienta intercultural. La segunda parte explica las
propuestas de educación musical en primaria. Se presentan las propuestas didácticas
para la educación musical, la educación musical intercultural y el rol del docente.
Finalmente, el trabajo se enfoca en las propuestas de educación musical intercultural
en las escuelas primaria de Argentina, Chile, Colombia y Perú. Se concluye que las
exigencias actuales apuntan a formar personas reflexivas y críticas de la hegemonía
social dominante para establecer sociedades interculturales. Aún así, se verifica que
las propuestas de educación musical con música andina como herramienta para
fomentar la identidad cultural son escasas o presentan debilidades para una adecuada
implementación.
This state of the art studies the proposals for music education that include the use of Andean expressions with a view to consolidating cultural identity in primary education, all under an intercultural education approach. Recent publications from the last twenty five years were consulted from Europe, North America and Latin America, with emphasis on the Andean countries of Peru, Colombia, Chile and Argentina. The first part develops the consolidation of cultural identity in primary education through music. It deals with the intercultural approach in education, as well as the notions of interculturality, communication and curriculum, construction of cultural identity in schools, the communicative function of music and Andean music as an intercultural tool. The second part explains the proposals for music education in primary schools. The didactic proposals for music education, intercultural music education and the role of the teacher are presented. Finally, the work focuses on the proposals for intercultural music education in primary schools in Argentina, Chile, Colombia and Peru. It is concluded that the current demands aim to form reflective and critical persons of the dominant social hegemony in order to establish intercultural societies. Even so, it is verified that the proposals of musical education with Andean music as a tool to promote cultural identity are scarce or present weaknesses for an adequate implementation.
This state of the art studies the proposals for music education that include the use of Andean expressions with a view to consolidating cultural identity in primary education, all under an intercultural education approach. Recent publications from the last twenty five years were consulted from Europe, North America and Latin America, with emphasis on the Andean countries of Peru, Colombia, Chile and Argentina. The first part develops the consolidation of cultural identity in primary education through music. It deals with the intercultural approach in education, as well as the notions of interculturality, communication and curriculum, construction of cultural identity in schools, the communicative function of music and Andean music as an intercultural tool. The second part explains the proposals for music education in primary schools. The didactic proposals for music education, intercultural music education and the role of the teacher are presented. Finally, the work focuses on the proposals for intercultural music education in primary schools in Argentina, Chile, Colombia and Peru. It is concluded that the current demands aim to form reflective and critical persons of the dominant social hegemony in order to establish intercultural societies. Even so, it is verified that the proposals of musical education with Andean music as a tool to promote cultural identity are scarce or present weaknesses for an adequate implementation.
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Keywords
Educación musical, Identidad cultural, Música andina, Educación primaria--Perú, Educación intercultural
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