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Las video-reacciones como una excepción al derecho de autor
(Pontificia Universidad Católica del Perú, 2022-01-18)
El presente artículo busca contribuir a la comprensión de la aplicación de una excepción al
derecho de autor peruano en casos de video-reacciones en plataformas streaming. El presente
trabajo se divide en dos grandes objetivos, por un lado, dar al...
Informe Jurídico sobre la Resolución 059-2020/SDC-INDECOPI
(Pontificia Universidad Católica del Perú, 2022-08-01)
de
la Competencia Desleal y la Sala Especializada en Defensa de la Competencia tenía
competencia para aplicar el artículo 147° de Ley sobre el Derecho de Autor; y en tercer lugar,
si Apdayc mediante las actividades de recaudación cumple una actividad...
The music industry in Peru has constantly evolved, so there is evidence of an increase in its consumption. Given this scenario, various agents appear on the market that offer to deliver music without incurring transaction costs with the author or owner, that is, they are music providers that deliver authorizations or licenses for the use of the work. Likewise, we find the collective management societies that, likewise, deliver authorizations to third parties for the use of the works they manage. Additionally, we could infer that music providers and collecting societies compete with each other. However, an analysis of both could identify that they have characteristics that prevent them from competing on certain aspects of works management. In this academic report, criticism will be developed regarding the pronouncement indicated by INDECOPI in Resolution No. 059-2020/SDC-INDECOPI. The referred resolution brings up the figure of business sabotage in the modality of inducement to contractual compliance, which is a figure not very studied by the decision-making bodies of INDECOPI. The present work is divided into 3 objectives: first, to analyze whether the acts of collection and/or remuneration of the Asociación Peruana de Autores y Compositores - Apdayc really constituted supposed sabotage; second, if Sala Especializada de la Competencia Desleal had the competence to apply article 147 of the Copyright Law; and thirdly, if Apdayc, through collection activities, fulfills an activity with a competitive purpose....
The music industry in Peru has constantly evolved, so there is evidence of an increase in its consumption. Given this scenario, various agents appear on the market that offer to deliver music without incurring transaction costs with the author or owner, that is, they are music providers that deliver authorizations or licenses for the use of the work. Likewise, we find the collective management societies that, likewise, deliver authorizations to third parties for the use of the works they manage. Additionally, we could infer that music providers and collecting societies compete with each other. However, an analysis of both could identify that they have characteristics that prevent them from competing on certain aspects of works management. In this academic report, criticism will be developed regarding the pronouncement indicated by INDECOPI in Resolution No. 059-2020/SDC-INDECOPI. The referred resolution brings up the figure of business sabotage in the modality of inducement to contractual compliance, which is a figure not very studied by the decision-making bodies of INDECOPI. The present work is divided into 3 objectives: first, to analyze whether the acts of collection and/or remuneration of the Asociación Peruana de Autores y Compositores - Apdayc really constituted supposed sabotage; second, if Sala Especializada de la Competencia Desleal had the competence to apply article 147 of the Copyright Law; and thirdly, if Apdayc, through collection activities, fulfills an activity with a competitive purpose....
Consumidor y Metaverso: deber de idoneidad y garantías
(Pontificia Universidad Católica del Perú, 2023-04-02)
El propósito de este artículo es determinar qué garantías debe entregar el proveedor
y la plataforma de metaverso frente a las infracciones al deber de idoneidad en la
adquisición de NFT’s dentro del Metaverso. Partiremos ...